Watching midnight livestream of President Bharucha and trustee Don Blauweiss in conversation with what looks like 100 students who have occupied the president’s office since Wednesday. http://www.ustream.tv/channel/free-cooper-union

Watching midnight livestream of President Bharucha and trustee Don Blauweiss in conversation with what looks like 100 students who have occupied the president’s office since Wednesday. http://www.ustream.tv/channel/free-cooper-union

Current status

Current status

lostsplendor:

Armored Diving Suit, France c. 1878 (via Xerposa)

lostsplendor:

Armored Diving Suit, France c. 1878 (via Xerposa)

Reblogged from Surfing With The Alien
Current status. Not that I will see any of this. The facts on the ground here look more like insurance agents.

Current status. Not that I will see any of this. The facts on the ground here look more like insurance agents.

Someone has to find a way to start communicating these kinds of projects differently, but whatever. Clever idea.

FUNDACIÓN ANAR. “ONLY FOR CHILDREN” (by GREY SPAIN)

glitchnews:

白い帆を上げて漁をする「観光うたせ船」(4日、熊本県芦北町沖の不知火海で、読売ヘリから)=浦上太介撮影

glitchnews:

白い帆を上げて漁をする「観光うたせ船」(4日、熊本県芦北町沖の不知火海で、読売ヘリから)=浦上太介撮影

Reblogged from Glitch News
kenyatta:

This is going to sound stuck-in-the-city naive but I completely forgot that most people’s exposure to other people is through traffic. No wonder why we’re afraid of strangers — we only see them when they’re wearing two tons of body armor.

This is why we live in cities. Instead of around them.

kenyatta:

This is going to sound stuck-in-the-city naive but I completely forgot that most people’s exposure to other people is through traffic. No wonder why we’re afraid of strangers — we only see them when they’re wearing two tons of body armor.

This is why we live in cities. Instead of around them.

Reblogged from Final Boss Form
glitchnews:

Bradley Pryce took a punch from Rik Godding during their junior middleweight boxing match at the Motorpoint Arena in Sheffield, England.

glitchnews:

Bradley Pryce took a punch from Rik Godding during their junior middleweight boxing match at the Motorpoint Arena in Sheffield, England.

Reblogged from Glitch News
IT HAS BEEN 10 DAYS SINCE A MAJORITY OF THE FOLLOWING MEMBERS OF THE BOARD OF TRUSTEES HIJACKED THE MISSION OF THE COOPER UNION.”

dayssincetheboardoftrusteeshijackedthemissionofthecooperunion.com

what Cooper Union still teaches, evidently: speed, resourcefulness, discipline, persistence, and fuck you.

lostinaseriesoftubes:

DRIVE for the SEGA MASTER SYSTEM/GENESIS (by gundersonmunderson)

Lovely

Not my message, not my phone. Just rolling w Pablos.

Not my message, not my phone. Just rolling w Pablos.

ryanpanos:

Precise Images of Buildings That 3D Scanning Enables by Scott Page Design

3D scanning—though it’s been around since the 1960s—has been in the news of late, with Harvard using the technology to recreate ancient statues and MakerBot announcing a desktop scanner last month. But cheaper, faster, and more accessible 3D scanners aren’t just revolutionizing how we print terrifying models of our own faces. They’re also changing how we understand the city.

A fascinating story about urban-scale 3D scanning published on the Atlantic Cities this week explores how a Bay Area architect named Scott Page is using a 3D scanner to generate super-accurate models of historic and dilapidated buildings.

Page’s system takes a series of photographs and patches them together based on how light bounces off each surface. Rather than taking weeks to survey an old building, architects can now generate precise dimensions in just a few hours. Because the scanner uses color photographs, the models are also incredibly beautiful, expressive documents—Page compares them to the first photographs ever made. “There is a magical quality to point cloud imagery, similar to the earliest photos that froze time onto small metallic plates,” he writes on his website.

Reblogged from BruceS
plasticarmy:

Monument To Aviation by Raimund Abraham, 1979
(via Archaeology of the Future: 1979 VISIONARY Aviation Memorial Competition Melbourne [Raimund Abraham])

As it happens, this just washed up on my dashboard. Raimund Abraham educated many years of students at the Cooper Union School of Architecture.
He passed away recently, and was spared the vision of the peculiar crash that was his home, Cooper Union. 
Unlike any other spectacular crash, there is no black box and no investigation. And unlike any other spectacular crash, it’s not just the bodies on the ground: the casualties carry on endlessly into the future.
Monument to Aviation, Raimund Abraham. Thanks for that and for everything else.

plasticarmy:

Monument To Aviation by Raimund Abraham, 1979

(via Archaeology of the Future: 1979 VISIONARY Aviation Memorial Competition Melbourne [Raimund Abraham])

As it happens, this just washed up on my dashboard. Raimund Abraham educated many years of students at the Cooper Union School of Architecture.

He passed away recently, and was spared the vision of the peculiar crash that was his home, Cooper Union. 

Unlike any other spectacular crash, there is no black box and no investigation. And unlike any other spectacular crash, it’s not just the bodies on the ground: the casualties carry on endlessly into the future.

Monument to Aviation, Raimund Abraham. Thanks for that and for everything else.

Reblogged from plastic tumblr

Images:

1) Cooper Union painted black by architecture students over the weekend to protest the end of 150+ years of fully funded tuition for its tiny and proud student body

2) Image of ex-President George Campbell, from WSJ 2009 Article “One College Sidesteps the [Financial] Crisis” 

Felix Salmon, Reuters, The Tragedy of Cooper Union:

“While the Cooper Union ethos never left the students or the faculty, however, it did seem to desert a significant chunk of the Board of Trustees and the administration. Starting as long ago as the early 1970s, the board started selling off the land bequeathed by Cooper, not to invest the proceeds in higher-yielding assets, but rather just to cover accumulated deficits. Cooper hated debt and deficits, but that hatred was not shared by later administrators, who would allow debts to accumulate — bad enough — until the only solution was to sell off the college’s patrimony, thereby reducing the resources available for future generations of students. If you visit Astor Place today, the intersection once dominated by the handsome Cooper Union building, the main thing you notice are two gleaming new glass-curtain-walled luxury buildings, one residential and one commercial, both constructed on land bought from Cooper Union.

Then, when you turn the corner and look at what hulks across the street from the main Cooper Union building, you can see where a huge amount of the money went: into a gratuitously glamorous and expensive New Academic Building, built at vast expense, with the aid of a $175 million mortgage which Cooper Union has no ability to repay.

The bland name for the building is a symptom of the fact that Cooper’s capital campaign, designed to raise the money for its construction, was a massive flop: no one gave remotely enough money to justify putting their name on the building. It’s also a symptom of the fact that no one on the board had any appetite for naming it after George Campbell, the main architect of the scheme which involved going massively into debt in order to construct this white elephant.

Campbell, pictured grinning widely in a now-notorious 2009 WSJ article, claimed that Cooper was a financial success story when in fact it was on the verge of collapse. He’s the single biggest individual villain in the Cooper story, and it’s a vicious irony that Cooper’s latest Form 990 shows him being paid $1,307,483 in 2011 — after he left Cooper’s presidency.”

In the middle of this, the Board has asked me to donate. And the President has asked why I am bitter, instead of just sad.

The answers to both those questions don’t need words and in any case I don’t have any. Not for that.